Danielle Joynt

Sound As Art

Immersive compositions and resonant instruments transform listening into a vivid, expressive art form.

Danielle’s hand arranging brass singing bowls on a dark cloth.
Danielle preparing gongs, bowls and other resonant instruments in her studio.
Film in development

Preparation · instruments · gesture · playing · stillness

Pause

An invitation to see and hear the work in motion

A future film will offer a quiet view into Danielle’s process: the preparation of a room, the handling of instruments, the gestures of playing and the stillness around sound.

Production film and captions are awaiting commissioning. This still-image study is the approved development placeholder.

The work

Music, sound and deep listening

Danielle Joynt’s work moves between composition, song, education and sound meditation. Across each form, the invitation is the same: to listen with curiosity and notice what sound can open.

Explore original music, experience Dhvani Sound Meditation, or find the next opportunity to listen in person.

Six Strands

One practice, many forms

Composition, songs, guided listening, education, live experience and collaboration are connected by the same attentive approach to sound.

An illustrated figure draws resonant lines from floating abstract forms, representing original composition.

Compositions

Original music shaped from an initial idea — an imaginative, handcrafted process of drawing separate forms together through resonance.

An illustrated singer releases flowing leaves, birds and human figures from a glowing orb, representing songs shared across generations.

Songs

Voice, melody and songs shared across generations, carrying outward to connect with people of different ages and experiences.

An illustrated musician plays a singing bowl as expanding sound forms reveal a face and an archway.

Dhvani Sound Meditation

Sound, echo, resonance and suggested meaning — a guided listening practice attentive to what is heard, felt and carried forward.

Two illustrated listeners sit within a layered resonant arch beneath a suspended bowl.

Events & Live Experiences

Shared spaces for performance, sound meditation and attentive listening, experienced together in the room.

An illustrated educator and three children explore a singing bowl, stones, rhythm and bird-like sound forms.

Sound Child / Education

A play-based approach in which children discover rhythm, sound, pattern and imagination through guided exploration.

Three illustrated people raise separate sculptural pieces that meet to create one shared form.

Collaborations & Commissions

Creative contributions brought together through artistic collaboration, commissioned composition and interdisciplinary work.

Reflections

In their words

“I had such a wonderful practice … Thank you x”

I. — participant

“Great empathic teacher with expert understanding of the restorative process. Highly recommend Danielle.”

K. — participant

“Loved this so much! I didn’t want it to end. Felt amazing afterwards.”

J. — participant

“Incredible. So generous — Danielle just keeps on giving.”

L. — participant

Begin here

Curiosity is enough

You do not need to be an experienced meditator or know anything about music. Danielle guides each experience in clear, everyday language, giving you space to listen in whatever way feels comfortable.

What to expect

Featured work

A harp with a remarkable history

An early nineteenth-century Érard harp standing in a quiet room between three tall windows.
Full profile of the historic Érard harp, showing its curved neck, strings and decorated column.
Close view of the harp’s base and seven-pedal mechanism.
Close view of worn gilded carving and ornament on the Érard harp’s column.

North and Breathe 1 emerge from close attention to an instrument whose age, mechanisms and imperfections have become part of its voice.

About our harp

Our beautiful harp had long been discarded when she was retrieved from a vacated property in her present condition. Through her faded serial number, we are tracing her provenance—and it is a mighty one.

The Royal College of Music Museum in London has confirmed that she is one of the earliest Érard harps, dating from 1806, to incorporate a double-movement seven-pedal mechanism.

Developed by Sébastien Érard and still used in modern harp design, the mechanism enables each string to be shortened by one or two semitones, giving the harpist access to every key and chromatic setting. Érard’s work transformed the possibilities of harp playing.

We continue to explore our beautiful harp’s voyage from London to Australia, and her journey within.

Two compositions shaped through the harp’s strings, pedals, resonance and physical voice—available to experience in full.

Listen to North and Breathe 1

Next event — details pending

The next opportunity to listen together

Approved event details will appear here once a date, venue and booking pathway are confirmed.

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About Danielle

A life shaped by music

Danielle is a classically trained musician, composer and educator whose work explores how people encounter sound — through play, learning, performance, stillness and shared experience.

Her background in music and education shapes both the work itself and the attentive, accessible way it is shared.

Meet Danielle
Danielle smiling while holding a small wooden lyre.

Continue from here

Listen. Attend. Start a conversation.